Francisco Goya (1746–1828)

• Manuel Osorio Manrique de Zuñiga (1784–1792)
• Portrait of Don Ramón Satué
• The Marquesa de Pontejos
• Sebastián Martínez y Pérez (1747–1800)
• Señora Sabasa Garcia
• Bartolomé Sureda y Miserol
• Condesa de Altamira and Her Daughter, María Agustina
• Majas on a Balcony
• Thérèse Louise de Sureda
• Young Lady Wearing a Mantilla and Basquina
• María Teresa de Borbón y Vallabriga, later Condesa de Chinchón
• Narcisa Barañano Gayoso de Goicoechea
• Boy on a Ram
• Portrait of Don Juan Antonio Cuervo
• Self-Portrait
• Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
• Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
• Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
• José Costa y Bonells (died l870), Called Pepito
• Ferdinand VII (1784–1833), When Prince of Asturias
• Bullfight in a Divided Ring
• A City on a Rock
• Portrait of Isidoro Máiquez
• Winter Scene
• Portrait of General José Manuel Romero
• Victor Guye
• Don Antonio Noriega
• Saint Ambrose
• The Horrors of War: Against the Common Good
• The Horrors of War: I Saw It
• Seated Giant
• God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
• 'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
• 'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)
• A Maja standing with hands on her hips
• If he is guilty, let him die quickly (Si es deliquente qe, muera presto)
• Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)
• Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)
• Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)
• Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan)
• Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)
• Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)
• Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra)
• Plate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca)
• Plate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué)
• Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)
• Plate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!)
• Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)
• Plate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)
• Plate 19 from "Los Caprichos": All will fall (Todos Caerán)
• Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)
• Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)
• Don Bernardo de Iriarte (1735–1814)
• Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
• María Luisa of Parma (1751–1819), Queen of Spain
• Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun
• Friar Pedro Wrests the Gun from El Maragato
• Friar Pedro Clubs El Maragato with the Butt of the Gun
• Friar Pedro Shoots El Maragato as His Horse Runs Off
• Friar Pedro Binds El Maragato with a Rope
• El Maragato Threatens Friar Pedro de Zaldivia with His Gun
• The Hanged Monk
• Baco (Bacchus)
• El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos)
• Picador Caught by a Bull
• Dibersion de España (Spanish Entertainment)
• Bullfight in a Divided Ring
• Capean otro encerrado (They Play Another with the Cape in an Enclosure)
• Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)
• Un caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse)
• Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid)
• El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)
• Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)
• Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants)
• El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)
• El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body)
• El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)
• Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)
• Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)
• Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)
• Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa)
• El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid)
• Echan perros al toro (They Loose Dogs on the Bull)
• Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)
• El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique)
• El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid)
• Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")
• Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)
• Banderillas de fuego (Banderillas with Firecrackers)
• Isabel de Borbon
• Isabel de Borbon
• Dios se lo pague a vsted (May God Repay You)
• The Garroted Man
• Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)
• Quien mas rendido? (Which of Them Is the More Overcome?)
• Nadie nos ha visto (No One Has Seen Us)
• Que viene el coco (Here Comes the Bogey-Man)
• Por que fue sensible (Because She Was Susceptible)
• Volaverunt (They Have Flown)
• El amour y la muerte (Love and Death)
• Quien lo creyera! (Who Would Have Thought It!)
• A caza de dientes (Out Hunting for Teeth)
• Asta su abuelo (And So Was His Grandfather)
• Ni mas ni menos (Neither More nor Less)
• Linda maestra! (Pretty Teacher!)
• El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters)
• Si amanece; nos vamos (When Day Breaks We Will Be Off)
• No te escaparas (You Will Not Escape)
• Duendecitos (Hobgoblins)
• Nada (Nothing)
• Si quebro el cantaro (Yes He Broke the Pot)
• Tal para qual (Two of a Kind)
• Margarita de Austria
• Bull Attacked by Dogs
• Aesopvs (Aesop)
• Un enano (A Dwarf)
• Old Woman on a Swing
• Old Man on a Swing
• Baco (Bacchus)
• Baltasar Carlos
• The Blind Singer
• Un enano (A Dwarf)
• Fiero monstruo! (Fierce Monster!)
• Gaspar de Guzman, Conde Duque de Olivares
• Felipe IV
• La seguridad de un reo no exige tormento (The Custody of a Criminal Does Not Call for Torture
• Si es delinquente qe. muera presto (If He is Guilty, Let Him Die Quickly)
• Disparate femenino (Feminine Folly)
• Disparate de miedo (Folly of Fear)
• Disparate ridiculo (Ridiculous Folly)
• Bobalicon (Simpleton)
• Disparate volante (Flying Folly)
• Disparate furioso (Furious Folly)
• Disparate desordenado (Disorderly Folly)
• Los ensacados (The Men in Sacks)
• Disparate general (General Folly)
• El caballo raptor (The Horse-Abductor)
• Disparate pobre (Poor Folly)
• Disparate allegre (Merry Folly)
• Modo de volar (A Way of Flying)
• Disparate de Carnabal (Carnival Folly)
• Disparate claro (Clear Folly)
• Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words)
• La lealtad (Loyalty)
• Dios los cria y ellos se juntan (God Creates Them and They Join Up Together)
• The Jester Barbarroja
• Esto es lo verdadero (This Is the Truth)
• No se puede saber por que (One Can't Tell Why)
• Disparate desordenado (Disorderly Folly)
• Disparate furioso (Furious Folly)
• Ni asi la distingue (Even Thus He Cannot Make Her Out)
• Ya van desplumados (There They Go Plucked)
• Al Conde Palatino (To the Count Palatine)
• La filiacion (The Filiation)
• La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)
• Disparate femenino (Feminine Folly)
• Disparate de Carnabal (Carnival Folly)
• Los ensacados (The Men in Sacks)
• Fiero monstruo! (Fierce Monster!)
• Esto es lo verdadero (This Is the Truth)
• Disparate conocido (Well-Known Folly)
• Disparate puntual (Sure Folly)
• Moenippvs (Moenippus)
• Disparate conocido (Well-Known Folly)
• Caritas (Charity)
• Mascaras crueles (Cruel Masks) [recto]
• Brujas à volar (Witches Preparing to Fly) [verso]
• Subir y bajar (To Rise and To Fall)
• No hay quien nos desate? (Can't Anyone Untie Us?)
• Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux)
• Estan Calientes (They Are Hot)
• Buen Viage (Bon Voyage)
• Maja
• No Hay Quien Los Socorra (Nobody Can Help Them)
• Y aun no se van! (And Still They Don't Go!)
• Fuerte cosa es! (That's Tough!)
• Nadie se conoce (Nobody Knows Himself)
• The Garroted Man
• Bullfights: A Picador is Unhorsed and Falls Under the Bull
• Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"
• The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
• A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
• A bad night (Mala noche), plate 36 from "Los Caprichos"
• Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"
• Tantalus (Tantalo), plate 9 from "Los Caprichos"
• It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"
• A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"
• Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"
• Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
• The Caprices (Los Caprichos), plates 1-80
• 'Barbarous Entertainment', a blind guitarist on the horns of a bull
• 'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)
• 'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)
• Garroted Man
• A picador caught by a bull, from the "Bulls of Bordeaux"
• Spanish Entertainment from the 'Bulls of Bordeaux'
• Bullfight in a divided ring, from the 'Bulls of Bordeaux'
• The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
• 'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)
• 'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
• 'Loyalty' from the 'Disparates' (Follies / Irrationalities)
• Margaret of Austria on horseback, after Velázquez
• Blind Guitarist
• 'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D)
• 'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)
• 'Animal Folly' from the 'Disparates' (Follies / Irrationalities)
• A False Bacchus Crowning Drunkards
• Blind Singer
• Plate 9: Tantalus (Tantalo), from "Los Caprichos"
• Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"
• Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"
• Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"
• Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)
• Isabel de Bourbon on horseback, after Velázquez
• Philip IV on horseback, after Velázquez
• Portrait of the court dwarf known as el Primo, after Velázquez
• Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez
• Aesop, after Velázquez
• Menippus, after Velázquez
• Portrait of the court dwarf El Primo, after Velázquez
• 'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)
• Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)
• Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
• Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
• Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)
• Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)
• Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)
• Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)
• Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)
• Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)
• Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)
• Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)
• Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)
• Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)
• Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)
• Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)
• Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)
• Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)
• 'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)
• 'Flying Folly' from the 'Disparates' (Follies / Irrationalities)
• Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B"
• Young woman weeping and covering her face with her hands, accompanied by men; folio 17 (recto) from the Madrid Album "B"
• Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album "B"
• Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album "B"
• A young woman dancing, her arms raised, a bull in the background; folio 23 (recto) from the Madrid Album "B"
• A charlatan extracting a tooth from a patient's mouth, figure in the foreground vomiting; folio 68 (verso) from the Madrid Album "B"
• They are getting drunk; folio 67 (recto) from the Madrid Album "B"
• Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album "B"
• Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"
• Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B"
• Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B"
• Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B"
• Masquerading asses being whipped; folio 93 (recto) from the Madrid Album "B"
• You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)
• Crowd in a Park; page 31 from the "Images of Spain" album (F)
• Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F)
• A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F)
• Rabbit hunter with a Retriever; folio 103 from the "Images of Spain" Album (F)
• Men hunting; page 105 from the "Images of Spain" Album (F)
• Nothing is Known of This; two figures picking up a body in front of a church, a monk singing next to them and another in the background; page 7 from the "Witches and Old Women" Album (D)
• A partly naked woman seated by a stream; page 32 from the "Images of Spain" Album (F)
• He Wakes Up Kicking; a man on the floor kicking his legs after waking from a nightmare; page 13 from the "Witches and Old Women" Album (D)
• An old man delousing a boy accompanied by three figures, a cat in the foreground; page 40 from the "Images of Spain" Album (F)
• Figures inside a church; page 41 from the "Images of Spain" Album (F)
• A crowd forming a circle; page 42 from the "Images of Spain" album (F)
• A radiant female figure beset by dark spirits; page 45 from the "Images of Spain" Album (F)
• Construction; page 46, from "Images of Spain" Album (F)
• Three men digging; folio 51 from the "Images of Spain" Album (F)
• A man stabbing another; folio 53 from the "Images of Spain" Album (F)
• A woman kneeling before an old man; page 55 from the "Images of Spain" Album (F)
• A woman talking to a priest in a covered archway; folio 59 from the "Images of Spain" Album (F)
• A man on the ground drinking from a wine skin; folio 63 from the "Images of Spain" Album (F)
• A nun frightened by a ghost playing a guitar; page 65 from the "Images of Spain" Album (F)
• Three acrobats; page 67 from the "Images of Spain" Album (F)
• Beggar with a staff in his right hand; folio 69 from the "Images of Spain" Album (F)
• Beggar with a staff in his left hand; folio 70 from the "Images of Spain" Album (F)
• Figures waking from sleep (?); page 71 from the "Images of Spain" Album (F)
• A woman pulling at her hair accompanied by a group of figures; page 76 from the "Images of Spain" Album (F)
• Women and children near a cross; folio 78 from the "Images of Spain" Album (F)
• Prisoners in irons; page 80 from the "Images of Spain" Album (F)
• A man breaking up a fight; page 82 from the "Images of Spain" Album (F)
• A woman attacking a sleeping man; page 87 from the "Images of Spain" Album (F)
• A country dance; page 89 from the "Images of Spain" Album (F)
• A woman giving a mug to an old man; folio 93 from the "Images of Spain" Album (F)
• Revenge on Constable Lampiños; page 86 from the "Images of Spain" Album (F)
• Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux'
• Self-Portrait; Plate 1 from "Los Caprichos"
• The garroted man (El agarrotado)
• Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
• Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)
• Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)
• Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)
• Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage)
• Philip III, King of Spain on horseback, after Velázquez
• Men Spitting at a Fire
• 'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)
• Hanged Man
• Self-Portrait; wearing a top hat facing left within a drawn frame (recto); two studies of his face (verso)
• Figures inside a prison (recto), a monstrous animal (verso)
• Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
• Plate 8 from "Tauromaquia": A moor caught by the bull in the ring
• Plate C: The dogs let loose on the bull, from "Tauromaquia"
• Baltasar Carlos on horseback
• Little Bulls' Folly, from "The Disparates" (Disparates, Plate D)
• Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)
• Portrait of a Young Man
• Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)
• Maja and an officer; folio 22 (verso) from the Madrid Album "B"
• Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B"
• A young woman looking into a well; folio 46 (verso) from the Madrid Album "B"
• Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
• Plate 44 from "Los Caprichos": They spin finely (Hilan delgado)
• Plate 36 from "Los Caprichos": A bad night (Mala noche)
• Plate 25 from "La Tauromaquia": They loose dogs on the bull
• Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon
• Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)
• Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)
• Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull
• Disorderly Folly, from "The Disparates" (Follies / Irrationalities)
• Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
• Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
• Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)
• Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
• Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)
• Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
• Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)
• Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)
• Plate 66 from "Los Caprichos": There it goes (Allá vá eso)
• Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)
• Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)
• Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)
• Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)
• Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)
• Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)
• Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
• Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid
• Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
• Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
• Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid
• Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
• Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike
• Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)
• Plate 55 from "Los Caprichos": Until death (Hasta la muerte)
• Plate 61 from "Los Caprichos": They have flown (Volaverunt)
• Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)
• Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)
• Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)
• Plate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo)
• Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)
• Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
• Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)
• Plate 49 from "Los Caprichos": Hobgoblins (Duendecitos)
• Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)
• Plate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)
• Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona)
• Old woman on a swing
• Plate 1 from "Los Caprichos": Self-portrait
• Isabel of Bourbon, Queen of Spain on horseback, after Veláquez
• Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
• Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro)
• Plate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)
• Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)
• Plate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)
• Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)
• Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío)
• Plate 13 from "Los Caprichos": They are hot (Estan calientes)
• Plate 9 from "Los Caprichos": Tantalus (Tantalo)
• Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)
• Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)
• Plate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)
• Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)
• Plate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)
• Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)
• Plate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones)
• Plate 46 from "Los Caprichos": Correction (Correccion)
• Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen)
• Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)
• Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)
• Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)
• Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)
• Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)
• Plate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer)
• Plate 35 from "Los Caprichos": She fleeces him (Le descañona)
• Plate 28 from "Los Caprichos": Hush (Chiton)
• Plate 38 from "Los Caprichos": Bravo! (Brabisimo!)
• Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)
• Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)
• Plate 70 from "Los Caprichos": Devout Profession (Devota profesion)
• Plate 72 from "Los Caprichos": You will not escape (No te escaparàs)
• Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
• Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)
• Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)
• Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)
• Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)
• Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)
• Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)
• Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)
• Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)
• Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)
• Plate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está)
• Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)
• Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a hard step!' (Duro es el paso!)
• Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)
• Plate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)
• Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)
• Plate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)
• Plate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)
• Plate 57 from "Los Caprichos": The filiation (La filiacion)
• Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)
• Plate 64 from "Los Caprichos": Bon voyage (Buen Viage)
• Pllate 60 from "Los Caprichos": Trials (Ensayos)
• Plate 69 from "Los Caprichos": Blow (Sopla)
• Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)
• Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)
• Plate 80 from "Los Caprichos": It is time (Ya es hora)
• Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan)
• Plate 77 from "Los Caprichos": What one does to another (Unos á otros)
• Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...)
• Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)
• Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)
• Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): 'There isn't time now' (Ya no hay tiempo)
• Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)
• Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)
• Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)
• Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)
• Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)
• Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)
• Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): They can still be of use (Aun podrán servir)
• Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): This is worse (Esto es peor)
• Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!)
• Plate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?)
• Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!)
• Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)
• Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)
• Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)
• Plate 39 from "The Disasters of War" (Los Desastres de La Guerra): 'An heroic feat! With dead men!' (Grande hazaña! Con muertos!)
• Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra)
• Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)
• Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)
• Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
• Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)
• Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)
• Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)
• Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
• Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!)
• Plate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!)
• Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)
• Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)
• Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)
• Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)
• Plate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)
• Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)
• Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)
• Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)
• Plate 65 from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?)
• Plate 73 from "The Disasters of War" (Los Desastres de la Guerra): 'Feline pantomime' (Gatesca pantomima)
• Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?)
• Plate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro)
• Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)
• Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)
• Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)
• Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?)
• Feminine Folly, from "The Disparates" (Follies / Irrationalities)
• Dancing Giant, from "The Disparates" (Follies / Irrationalities)
• Cruel Folly, from "The Disparates" (Follies / Irrationalities)
• Men in Sacks, from "The Disparates" (Follies / Irrationalities)
• The horse abductor, from "The Disparates" (Follies / Irrationalities)
• Merry Folly, from "The Disparates" (Follies / Irrationalities)
• A Way of Flying, from "The Disparates" (Follies / Irrationalities)
• Carnival Folly, from "The Disparates" (Follies / Irrationalities)
• Clear Folly, from "The Disparates" (Follies / Irrationalities)
• Loyalty, from "The Disparates" (Follies / Irrationalities)
• Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities)
• 'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)
• 'Cruel Folly', from the 'Disparates' (Follies / Irrationalities)
• 'The horse abductor' from the 'Disparates' (Follies / Irrationalities)
• 'Merry Folly' from the 'Disparates' (Follies / Irrationalities)
• 'Loyalty' from the 'Disparates' (Follies / Irrationalities)
• The Andalusian dance (El Vito)
• Plate 1 from "Los Caprichos": Self-portrait
• The Exhortations, from "The Disparates" (Follies / Irrationalities)
• 'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
• 'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)
• 'Flying Folly' from the 'Disparates' (Follies / Irrationalities)
• 'Poor Folly' from the 'Disparates' (Follies / Irrationalities)
• 'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)
• 'Clear Folly' from the 'Disparates' (Follies / Irrationalities)
• General Folly, from "The Disparates" (Follies / Irrationalities)
• Funereal Folly, from "The Disparates" (Follies / Irrationalities)
• Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open
• Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country
• Plate 2 from "La Tauromaquia": Another way of hunting on foot
• Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure
• Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
• Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
• Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse
• Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid
• Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
• Plate 19 of "La Tauromaquia": Another madness of his in the same ring
• Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza

Lindy Arts